This shot comes at the end of a long tracking shot throught vertiical pipes and was blocked specifiically to take advantage of the shapes of the coat, the light, and the graffit.

I also manipulated the hue/saturation on the coat to match the purples in the art.

Though not evident in this still, I used Andrew Kramer's tutorail on creating breath condensing in the cold to bring out the little that actully could be seen - a case of staging and blocking

for the breath or the shapes... and with a bit of work - both!